![]() ![]() ![]() Clog dance competitions currently held in England include the Lancashire and Cheshire Clog Dancing Contests (focussing on Lancashire style clog dancing) held every September as part of the Fylde Folk Festival in Fleetwood, and the Northern Counties Clog Dancing Championships (focussing on Durham and Northumberland style clog dancing) held every year in Tyne and Wear.Ī Welsh clog dancer performing a "toby" at a preliminary solo competition of the 2017 National Eisteddfod in Bodedern. Clog dancing is also still practised in parts of Lancashire, Cheshire, Yorkshire, Cumbria and Derbyshire and there are teams dancing the Northern traditional dances (and newer ones) in many other parts of England. Solo Welsh male dancers are therefore required to have far more athletic abilities when compared with the English clog dancer.Įnglish clog dancing traditions still exist in some festivals in Northumbria, and are danced to the traditional music of the region. The male style of dance is particularly dynamic, including so-called "tricks" usually performed at the end of a performance. Welsh clog dancing is also performed individually by both men and women. The competitive Welsh style of dance varies from stylised group dancing to a more traditional and natural dancing scene. Both the Urdd and National Eisteddfod occur in a different part of Wales each year. These include the Urdd National Eisteddfod, the National Eisteddfod of Wales and the Llangollen International Eisteddfod. Welsh Clog dancing tradition is unbroken and continues to exist in many festivals in Wales, mainly the National "Eisteddfodau". The famous comedian Charlie Chaplin started his career in music halls as a clog dancer. Often people would wear special themed costumes as part of their act. In the Victorian period clog dancing was a popular act in music halls or variety shows. Clog dancing was also performed on the stage. Both men and women danced in breeches which would have allowed their leg movements to be seen. Like modern-day jockeys, dancers would perform in colours which would have made them easy to identify. ![]() Large amounts of money could be won or lost on the clog competitions which were seen as a type of sport. In the 1800s, clog dancing competitions became popular. The upper part of the body was kept relatively motionless so it required little space.Ī Welsh solo clog dancer extinguishing a candle using the sole edges of his clogs at the National Urdd Eisteddfod in Eryri, 2012. The main focus of a step dancer is in the footwork: dancers can create many different types of sound using their feet alone.Ĭlog dancing was often performed very casually, people would dance at home, in the pubs or in the street. English clogs with an iron or rubber protective layer on the sole are also worn for North West morris. Dancing clogs are close fitting which allows the dancer more control over the movements of their feet. Welsh and English clogs, with leather uppers and a sole cut from alder or sycamore were the regular, everyday footwear for working people all over Britain until the 1920s. Northern English traditional clog dancing originates from Lancashire, Yorkshire, County Durham, Northumberland and the Lake District. Welsh clog dancing mainly originates from various slate mines where workers would compete against each other during work breaks. Clog dancing developed into differing intricate forms both in Wales and also in the North of England. ![]() Welsh clog dancer on stage at the National Eisteddfod in Bodedern, 2017.Ĭlog dancing is a form of step dance characterised by the wearing of inflexible, wooden soled clogs. ![]()
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